Born, 1781, Back. Died, 1840, Country, England was an English engraver and painter. Born in Morpeth, Northumberland, the son of a farmer, he was apprenticed to the engraver Thomas Bewick in 1797. Between 1799 and 1803 he acted as Bewick's principal assistant on the second volume of the History of British Birds. After completing his seven-year apprenticeship with Bewick he moved to London, where he married a daughter of the copper-engraver Charles Turner Warren (1762-1823). Through his marriage he became acquainted with such book illustrators as William Finden and Abraham Raimbach. He gained a reputation as an engraver and in May 1806 he was awarded the gold palette of the Society of Arts for a wood-engraving of a battle scene. He subsequently gave up engraving for painting. In 1814 he received from the Earl of Bridgewater a commission for a large picture to commemorate the banquet given to the Allied Sovereigns at the Guildhall, London. He experienced great difficulty in getting the distinguished guests to sit for their portraits, and suffered a mental breakdown. After a spell in an asylum, he recovered and returned home.   Related Paintings of Luke Clennell :. | River Scene with Farmstead | Clio | Madonna Child | Landscape | the lsland of the dead |
Related Artists:
Michael Ancher
Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
William Parrott
English Painter, 1813-ca.1869
Percy Lindsay
Percival (Percy) Charles Lindsay (1870 - 1952) was an Australian landscape painter, illustrator and cartoonist, born in Creswick, Victoria. Percy was the first child born to Jane Lindsay (nee Williams) and Dr Robert Charles Lindsay. His siblings included the well known artists: Sir Lionel Lindsay, Norman Lindsay, Ruby Lindsay and Sir Daryl Lindsay. Percy first began painting while at school and further developed his skills during the late 1880s. Tuition from Fred Sheldon and Walter Withers saw him develop his painting skills to a professional level. Percy moved to Melbourne in the 1890s and worked as an illustrator and cartoonist. During his time in Melbourne Percy was at the centre of the cities bohemian art community. In 1918 he moved with his wife and child to Sydney where he continued to paint landscapes while working as a cartoonist on the Bulletin magazine.